I’ve had my head wrapped up in ideas for my fabrics for the past few days and then realized some of you asked about pattern mixing in the comments on my youngest daughter’s room (see it
My approach to effectively use multiple patterns in a room is to start with one pattern that will dictate the palette and go from there. I pick a patterned fabric I love (or sometimes rugs or wallpaper or artwork) and use that as a jumping off point for the additional colors and patterns that will be included in the space. Here are some examples of the technique in some beautiful designer spaces and then a quick example of my own.
This wallpaper in this sitting room sets a lavender and green palette with the lampshades playing off the green and the purple zebra mimicking the hue found in the flower pattern above.
Two colors next to each other on the color wheel will work together, below is a beautiful medley of bold green and blue in a floral paired with geometric print wallpaper and accent pillows, that print taking its color cue from the botanical. Mixing florals with geometrics is a win win combination!
A bedroom by Andrew Howard combines pinks and oranges in multiple geometric patterns, varying the scale of the prints but sticking to those neighboring hues on the color wheel.
Choosing one large scale dominant print such as the lavender and green botanical on the sofa below creates a jumping off point for other choices in the room. Notice a softer lilac print in the window panels and bedding and yet another lavender small scale motif next to a green solid on the sofa.
A bright paisley in pink and orange sets the palette in this vibrant bedroom, with a smaller scale zebra-ish print appearing on the lampshade and another bold version of a hue in the headboard present on the nightstand.
Your palette doesn’t need to be bold if your fabric is not. Use the same technique when decorating with softer tones or traditional fabrics. The pale pastels that appear in the large scale floral on the window panels are present in smaller scale fabrics on the bed and tufted bench.
Here’s a basic example I created of how to use a pattern found in fabric to dictate an entire room’s palette and pattern choices. 1. Start with the beautiful watercolor floral as your jumping off point. Notice that gray is a neutral that is present so it can be repeated in the form of 2. grasscloth wallpaper or 3. a greek key print rug on the floor. 4. Use the gray yet again in a smaller scale geometric motif (window panels, pillows, etc.). 5. Pull out the apple green found in the floral and use it as a bright color on an accent chair or bench or settee and again on a smaller scale somewhere else in the room such as a lampshade or ottoman. 6. Paint one piece of furniture a bold deep blue (or the walls). 7. Accessorize with any other modern prints that live in that same blue and green palette introduced by the floral. Throw in some wood and metallic tones and personal or unexpected accessories too.
The same concept is true for artwork, Sarah Richardson pulls blues and greens and pinks out of the two pieces of abstract art in these seating areas in her home, working with fabrics in bold stripes, botanicals, and solids.
Both fabric and art work together to dictate a bedroom’s fabric and accessory choices below. Notice those Pine Cone Hill pillows have shades of apricot, deep orange, and pale aqua blue. Mixed into this space are two different stripes in blues and oranges on the rug and bolster pillow, and a quilt in a smaller scale coral motif, all in the same palette present in the artwork and decorative pillow fabric.
Area rugs are yet another tool for deciding what colors or patterns to include in a space, yellow and gray dominating the motif of the rug in this living room, and the same hues reappearing in the fabrics, artwork, and wall color.
So the long answer to those questions is this technique mentioned – it’s always my first instinct when I go about pulling a room together. I look to a pattern found in fabric, art, or a great rug to inspire the room’s entire palette and many of the accessory choices in it. Hopefully these examples above help to illustrate!